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Japanese monster movies have long been a favorite of movie goers around the world for many reasons. They are fascinating, they are creative, and often times they carry a strong moral message. “Voyage Into Space” is no different. If you love a movie that is thrilling and dramatically stunning at the same time, you won’t be disappointed with this classic masterpiece.

Our parable commences with a covert government group creating a colossal automaton that will shelter the earth against any and all distant invaders. The automaton is constructed to be controlled by a innocent looking pocket watch that doubles as an advanced transmission device. The only forewarning is that the foremost creature who communicates to the oversize robot using the timepiece communication apparatus will be the one who it will everlastingly be respectful too.

And the person who speaks first to the enormous android is of course a juvenile, guiltless boy. He is only playing when he first picks up the timepiece, inadvertently of course, and speaks to the android. But visualize his amazement when the automaton obeys his every order, and unquestioningly protects the boy from all manner of harm that comes his way during this ambitious piece of film making.

At first, it would look as if that the boy has found a dedicated companion, proficient of shooting missiles from his fingertips, and picking the boy up and taking him on immediate trips around the globe. But this, of course, can’t last very long as the globe is quickly invaded by shocking mutant aliens from the far reaches of space. This is when the genuine test of their friendship is determined. Will the boy and his new found android friend risk all to protect the earth? Will they even be successful?

At first it seems as if the android will be successful and shelter the world from the invading monsters, but all is not well. The invading monster is made from a exceedingly explosive substance, and if he is shot, the entire globe will be destroyed. So shooting the alien dead is not an option for our authoritative robot hero. He must react to the global hazard with radical measures indeed.

And in a gloomy tale of self sacrifice, the automaton grabs the monster, and carries him deep into the pits of space, where he will pose no risk to the innocent inhabitants of the planet. This, of course, leaves the youngster without his pal, but he learns a valuable lesson. Sometimes you must go to profound sacrifices to save your friends, even to the point of sacrificing your own life. If you would like to watch a exciting film with a overwhelming moral message, look no further than “Voyage Into Space.

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If you love action movies, then you’ll love “The Road Warrior,” starring Mel Gibson, returning in his role as “Max,” from “Mad Max.” Although this movie was made several years after the original, and doesn’t require any previous knowledge of what happened to Max before this movie, it is indeed a great continuation of the same character, in the same world. Taking place after some future calamity that forever altered the face of civilization, this is a movie not to be missed.

The film of course starts out where the preceding one, “Mad Max,” left off. We have our central character out alone on the wastelands fending for himself in a world with no law and where only the strongest carry on. Of course, there is the short-term report of what got him to this site, how the world ended up to where it is. But one of the notable things about this movie is that is enough. You don’t need to know anything about the previous story to enjoy this tale.

After a passing fracas with a group of bandits on the thoroughfare, we find Max spending most of his time in pursuit for foodstuff, and gasoline, or petrol. Then he comes across something intriguing out in the wasteland. He finds a metropolis, of sorts, in the middle of nowhere. They are strappingly fortified, with a immense wall surrounding their city, and innumerable inventive forms of defense. For they have something very costly to guard. They have a substantial tanker of gas.

Of course, it doesn’t take long for the loose band of bandits to encircle the city, and demand the petrol. They tell them that if they hand over the goods, then their city won’t be shattered. The populace of this city seem to be between a rock and difficult place. They have a idea to take their gas, and escape to an area that is not dangerous, and free from bandits and outlaws. A spot where they can start clean, and construct a new culture. The problem is, they don’t have a way to transport the tanker of gas. Max, a just admitted to their city, has a way out.

Only a few days ago, Max has seen a suitable truck to haul their tanker to the promised land. The only dilemma is how to get to the means of transportation, bring it back to the fortified city, and get the tanker of gas out of there without getting murdered by the bandits. Luckily, Max has a plan. Together with his new friend who happens to have an ultra light airplane, they will slink out of the city, bring the vehicle back, and haul the tanker to safety.

And this is the heart of the movie. The skirmish between the population who only want a innocent life, free from fear of bandits, and the bandits themselves, who want to acquire what doesn’t belong to them, and murder whoever stands in their way. Fortunately, the city people have a plan that even Max doesn’t know about. And this will make all the difference. This film was so popular that it caused many to go out and see the first that otherwise didn’t know if it’s existence. It is a must see if you haven’t seen it, and is filled with brilliant scenes and quotes, so you may deliberate it as an appendage to your video library.

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We all love a good story about an underdog, who is wronged, and fights back in a way that makes the little guy sit up and cheer. Especially if the underdog is an out of his luck character whose only redeeming quality is his resourcefulness and his adherence to his principles, principles we all wish we had. “First Blood” is such a movie.

Our story starts out with a vagabond, a veteran of the Vietnam struggle traveling into a unimportant settlement. On the outside of town, he is met with some police force who tell him that his kind is not welcome in this municipality. Drifters are not permitted, as they are perceived as parasites who will undermine the cities wealth without giving anything back. After giving him the caution, the law leave him, and think that is that.

Yet, our central character, John Rambo, shows up once more in town, and is arrested. He gets booked, and thrown into the county lockup. But he doesn’t indicate any harm, and he hasn’t yet shattered any laws. He just sought after something to consume, and a temperate place to sleep. He may seem a little slow, but we feel for him, as the police appear to be mistreating him.

Then there is a scuffle, and the police chief steps over the line. And faintly injures this apparently big brute. Drawing initial blood, the sheriff has opened a can of worms he will before long regret, likely for the rest of his life. Because John Rambo is a highly trained eradicator, and well outfitted to control any kind of struggle, and come out on top.

This begins the core of the show. One lone man, John Rambo, is pressed into a corner, and he responds with the only way he knows how. He retreats into the adjacent hills, and speedily finds himself in his element. Qualified to continue to exist, to hunt, and to slaughter. The police quickly appreciate that they have their hands full, and bring in as many officers as they can.

Then an army Colonel shows up, and claims that he was Rambo’s commanding officer during the Vietnam war. The police incorrectly believe he is there to defend his charge from the police. But they have it the other way around. Rambo’s CO is there to bring him back before he does irreversible harm to the entire police force. He is there to save the law from Rambo, not the other way around. We follow John Rambo through the wasteland, and watch him combat his own psychological demons in one unusual movie that has created one of he most well known action heroes of our time. If you haven’t witnessed this movie, you must, as it is an instance of astonishing film making, acting, and directing.

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If you only see on movie in your entire life, many will tell you that you must see “The Godfather.” Based on the best selling novel by Mario Puzo, who also wrote the screenplay, “The Godfather” is an excellent study in how one man’s loyalties slowly shift, and he finds his place of power in the family empire.

The movie starts with a big marriage ceremony. This does lots of things. It shows the power and extent of Don Corleone, the patriarch of the family. It shows us all the diverse characters, most significantly his sons. As we perceive that the Don is getting on in age, it will become important to see who succeeds him. We meet his youngest son, Michael, who has just returned from the War in Europe. He is telling his young wife that he has no plans to go into the family trade.

His wish, is of course valued but the other family members. As the show progresses, we find that there are other, significant and potent families that are competing for business. And the business that is mounting speedily is the drug business. One thing that Don Corleone vows to do is to by no means enter the drug business. It has always been his desire, it seems, to have his son take over a legitimate business, and not a unlawful venture. Drug would be in the contradictory direction.

But since Don Corleone is very dominant, his refusal to enter into the narcotics trade angers his enemies. This sets off a drug war, and there is an effort made on the Don’s life. The family gets together, and decides what to do. They killer must be murdered, and Michael Corleone is just the man to do it. His loyalty has shifted from that of a law abiding citizen, to that of his family, irrespective of their relationship to the law.

After killing the killer, Michael has to flee the country. He stays in Italy for a few years, where he falls in love and gets married. The far scope of his father’s enemy find him, and kills his wife with a blast that was predestined for him. Any trace of devotion to the law is gone in young Michael. His devotion now is wholly to his family.

When he returns home, he spends many hours sitting at his fathers side, listening to how to run his business. In yet one more tragedy, his older brother, Sonny, is gunned down by rival gangs. It is becoming progressively more clear that not only does he need to throw his loyalties totally with the Corleone family, but he must turn out to be more heartless than his enemies in order to subsist. And hardnosed he does become. In one of the most exceedingly acclaimed climactic scenes ever, Michael Corleone accurately becomes the new Godfather, as the scenes of his nephews baptism is proficiently juxtaposed with all his enemies being nastily shattered. “The Godfather” is a movie not to be missed.

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With the world’s growing concern over greenhouse gasses, and the ever increasing need for green energy, a world without dependence on oil is becoming a real possibility. But what happens if scientists can discover any replacement for oil, and oil products like gasoline to run our cars? What happens if the need for oil leads to another world war, and only those that can secure oil will survive? That is exactly what happens in the classic thriller, “Mad Max,” starring Mel Gibson. And in this day and age, this movie is more relevant than ever. In this article I’ll explain why you should see this breathtaking movie.

Our allegory begins out after some overwhelming conflict in some uncertain time in the future. Petrol is at an sheer premium, and is sheltered safely. Society is just scarcely held together by sensible law enforcement. Our male protagonist, Max, is one of these law enforcement officers. His profession is an “Interceptor,” to stay on the border, and catch up with criminals who assume they have runaway from the law.

We see a few scenes early in the film where Max shows his driving skills, his conscientious morality, and his stout character. He is a family man, and a adoring husband and father. It is a humiliation that such a kind family has to grow up in such a horrific environment.

We are also introduced to a inane group of outlaws, who roam what they call the “wasteland,” which is outside of normal society. In this world, it is slay or be killed, and the only things you get are the things that you pinch. There is no law, and there is a assorted band of outlaws that wander the streets and filch gasoline from whatever resource they can.

It is when a few of these lawless highway gangsters come up against Max’s family that he gets his name. These outlaws chase down and kill Max’s spouse and his child. When they do this, they unleash a crazy killer in Max whose character has been described since time immemorial. Somebody who has been transformed from an average Joe, into a very capable killer in search of only one thing. Vengeance on those who have hurt him.

And this is the heart of the picture. The initial part is all build up. The introduction of the civilization in which Max lives, the opening of his character, his character, his abilities as a driver and a police officer. Just before the calamity, he is shown a particularly advanced car that has an extremely potent engine. Max turns it down, and decides to pursue a quiet life with his family. But when they get his family, he turns his back on any hope of a regular life, and heads to the road.

One by one, he hunts them down and kills them. Through powerful displays of driving and advanced skills of road deception, he seduces them into the chase, and then quickly turns and destroys them. In one last scene that is extremely disturbing, he shows just how callous and violent he has become. This film was an immediate cult classic, and every futuristic movie is compared to it as the gold standard. This is one classic movie that everybody should see. Including you.

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